Photographers have been irresistibly drawn to the window as a powerful source of inspiration throughout the history of the medium. As one of the first camera subjects, the window is literally and figuratively linked to the photographic process itself. By bringing together key works, arranged thematically rather than chronologically, and presenting pairings within broader stylistic movements, this volume examines the motif of the window as a symbol of photographic vision. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum’s permanent collection. The theme is presented in a wide range of contexts, from one of the earliest images by William Henry Fox Talbot or Julia Margaret Cameron’s 1864 allegorical use of the motif, to works by members of the Photo-Secession, including Gertrude Käsebier and Fred Holland Day. The documentary thread of the street photographer can be followed in Eugène Atget’s record of the old quartiers o
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Photographers have been irresistibly drawn to the window as a powerful source of inspiration throughout the history of the medium. As one of the first camera subjects, the window is literally and figuratively linked to the photographic process itself. By bringing together key works, arranged thematically rather than chronologically, and presenting pairings within broader stylistic movements, this volume examines the motif of the window as a symbol of photographic vision. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum’s permanent collection. The theme is presented in a wide range of contexts, from one of the earliest images by William Henry Fox Talbot or Julia Margaret Cameron’s 1864 allegorical use of the motif, to works by members of the Photo-Secession, including Gertrude Käsebier and Fred Holland Day. The documentary thread of the street photographer can be followed in Eugène Atget’s record of the old quartiers o
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