Afternoons with the Blinds Drawn

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The trajectory of Suede – hailed in infancy as both ‘The Best New Band in Britain’ and ‘effete southern wankers’ – is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London’s emerging new 1990s indie bands – gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor – and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable.