Voices of Italian America presents the first authoritative study and anthology of the largely Italian-language literature written and published in the U.S. from the heydays of the Great Migration (1880-1920) to the almost definitive demise of the cultural world of the first generation soon before and after WWII. The volume resurrects the neglected and even forgotten territory of a nation-wide "Little Italy" where people wrote, talked, read, and consumed the various forms of entertainment mostly in their native Italian language, in a complex interplay with native dialects and surrounding American English. In the anthological sections we read, among others, excerpts from the ethnically-tinged thrillers by Tuscan-born first-comer Bernardino Ciambelli, as well as the first short-stories by Italian American women, set in the Gilded Age. The fiction of political activists such as Carlo Tresca coexists with the hard-boiled autobiography of Italian American cop Mike Fiaschetti, fighting against the Mafia. Voices pres
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Voices of Italian America presents the first authoritative study and anthology of the largely Italian-language literature written and published in the U.S. from the heydays of the Great Migration (1880-1920) to the almost definitive demise of the cultural world of the first generation soon before and after WWII. The volume resurrects the neglected and even forgotten territory of a nation-wide "Little Italy" where people wrote, talked, read, and consumed the various forms of entertainment mostly in their native Italian language, in a complex interplay with native dialects and surrounding American English. In the anthological sections we read, among others, excerpts from the ethnically-tinged thrillers by Tuscan-born first-comer Bernardino Ciambelli, as well as the first short-stories by Italian American women, set in the Gilded Age. The fiction of political activists such as Carlo Tresca coexists with the hard-boiled autobiography of Italian American cop Mike Fiaschetti, fighting against the Mafia. Voices pres
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